Sirat - Thriller - 114 minutes - Spain - Spanish, French, Arabic (subtitled) - Director: Oliver Laxe - Trailer - Tickets
Fri. 03/13 - 12:25, 2:45, 4:15, 6:35, 8:55
Sat. 03/14 - 12:25, 2:45, 4:15, 6:35, 8:55
Sun. 03/15 - 12:25, 2:05, 4:25
Mon. 03/16 - 1:55, 4:15, 5:45, 8:05
Tues. 03/17 - 1:55, 4:15, 5:45, 8:05
Wed. 03/18 - 1:55, 3:35, 5:55, 8:15
Thurs. 03/19 - 1:55, 4:15, 5:45, 8:05
A father (Sergi López) and his son arrive at a rave deep in the mountains of southern Morocco. They are searching for Mar — daughter and sister — who vanished months ago at one of these endless, sleepless parties. Surrounded by electronic music and a raw, unfamiliar sense of freedom, they hand out her photo again and again. Hope is fading, but they push through and follow a group of ravers heading to one last party in the desert. As they venture deeper into the burning wilderness, the journey forces them to confront their own limits.
Pillion - Romance, Dark Comedy - 107 minutes - UK - English - Director: Harry Lighton - Trailer - Tickets
Fri. 03/13 - 2:05, 5:05, 9:10
Sat. 03/14 - 2:05, 5:05, 9:10
Sun. 03/15 - 2:45, 4:55
Mon. 03/16 - 3:35, 8:30
Tues. 03/17 - 3:35, 8:30
Wed. 03/18 - 4:15, 8:30
Thurs. 03/19 - 3:35, 8:30
A timid man is swept off his feet when an enigmatic, impossibly handsome biker takes him on as his submissive.
For Worse - Romantic Comedy - 90 minutes - United States - English - Director: Amy Landecker - Trailer - Tickets
Fri. 03/13 - 12:10, 7:15
Sat. 03/14 - 12:10, 7:15
Sun. 03/15 - 12:10
Mon. 03/16 - 1:40, 6:35
Tues. 03/17 - 1:40, 6:35
Wed. 03/18 - 1:40
Thurs. 03/19 - 1:40, 6:35
A newly divorced mom attends a wedding with a much younger date. What starts as a fun fling and wild weekend reclaiming her youth leads to something more when she unexpectedly sparks a connection with a fellow divorcee.
“The cat is cryptic, and close to strange things which men cannot see,” H.P. Lovecraft wrote in 1920. “The Sphinx is his cousin, and he speaks her language; but he is more ancient than the Sphinx, and remembers that which she hath forgotten.”
While the Cannes Film Festival gives out an annual award – the Palm Dog – for the year’s best cinematic performance by a canine, no such prize exists for cats. That’s because cats don’t give performances; they appear on screen only as themselves.
For that reason, they’re rarely main characters. Yet countless moviemakers have taken advantage of the mystery and otherworldliness of the common housecat, creating some of film’s unforgettable moments.
Take a break from the cat videos on TikTok and discover four of the big screen’s most memorable felines with Partizanfilm in March. No, we’re not showing the 2019 adaptation of Broadway’s Cats.
The Long Goodbye (1973) - Mystery - 112 min. - United States - English - Director: Robert Altman - Tickets
Wed. 03/04 - 8:20
Elliott Gould gives one of his best performances as a quirky, mischievous Philip Marlowe in this fascinating and original send-up of Raymond Chandler’s classic detective story. Co-starring Nina van Pallandt, Sterling Hayden, Mark Rydell and Henry Gibson with a screenplay by Leigh Brackett, The Long Goodbye is a gloriously inspired subversion of the film noir genre with the “sun-baked Sodom” of 1970s Hollywood as its backdrop.
Cairo Station (1958) - Drama - 76 min. - Egypt - Arabic (subtitled) - Director: Youssef Chahine - Tickets
Wed. 03/11 - 6:35
Youssef Chahine established his international reputation with this masterpiece, which, though initially a commercial failure in Egypt, would become one of the most influential and celebrated works in all of Arab cinema. The director himself stars as Kenawi, a disabled newspaper hawker whose obsession with a sultry drink seller (Hind Rostom, known as the “Marilyn Monroe of Arabia”) leads to tragedy of operatic proportions on the streets of Cairo.
Inside Llewyn Davis (2013) - Comedy, Drama, Music - 104 min. - United States - English - Director: Joel Coen, Ethan Coen - Trailer - Tickets
Wed. 03/18 - 6:25
The visionary chroniclers of eccentric Americana Joel and Ethan Coen present one of their greatest creations in Llewyn Davis, a singer barely eking out a living on the peripheries of the flourishing Greenwich Village folk scene of the early sixties. As embodied by Oscar Isaac, in a revelatory performance, Llewyn is extraordinarily talented but also irascible, rude, and self-defeating. His circular odyssey through an unforgiving wintry cityscape, evocatively captured by cinematographer Bruno Delbonnel, is realized with poignant humor and the occasional surreal touch.
The Third Man (1949) - Film Noir - 104 min. - UK - English - Director: Carol Reed
Wed. 03/25
Holly Martins (Joseph Cotten), a writer of pulp Westerns, arrives in a bombed-out, post-war Vienna at the invitation of his childhood friend Harry Lime (Orson Welles) only to find him dead. Martins develops the ultimate conspiracy theory after learning of a “third man” present at the time of Harry’s death, butting up against interference from British police officer Major Calloway (Trevor Howard), and falling head-over-heels for Harry’s grief-stricken lover Anna (Alida Valli).
TICKET PRICES (pre-tax) — General Admission - Evening (starting at 5 p.m.): $12.00; Member Admission - Evening: $9.50; General Admission - Weekend Matinee: $8.50; Member Admission - Weekend Matinee: $6.00; General Admission - Weekday Matinee: $7.50; Member Admission - Weekday Matinee: $5.00. Members pay $5.00 for all Tuesday showtimes.
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